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CONCERT REVIEW: Kiss and Motley Crue at the BOK Center
Published: 8/26/2012 11:48 PM
Last Modified: 8/27/2012 9:34 AM



Sunday was a time warp filled with concert tees, Kiss character greasepaint, rock hands, air guitars and pleather pants. Everyone was a teenager again, if just for a night. Longtime glam and metal rockers Kiss and Mötley Crüe performed a double headline bill Sunday to a crowded house at the BOK Center.

"It's all about sex, Tulsa!" yelled Mötley Crüe frontman Vince Neil.

Indeed, the night was about that and guitar solos. And Tommy Lee's roller-coaster, mindbending, techno-laced, tricked out, super-extended drum solo. And then Kiss frontman Gene Simmons spitting blood. And fire. And those monster rocker boots. And pomp. And booze.

Did I mention sex? Because there was that, too. ... And the half dozen drunken men behind me who screamed at the go-go dancers, "Take it off!" and the riotous hoots that followed.

Mötley Crüe marched through the arena, across the floor as a giant clock hung frozen in time until they took the stage. Wordlessly, they throttled into "Saints of Los Angeles," then into classic "Wild Side," as pyrotechnics, white spotlights and lasers lit up the arena. Flames flaired behind the band as women danced in front of it.

Frontman Vince Neil was sometimes a little breathless, and didn't always sing every lyric on time. However, the rest of the band was as taut as ever, if not moreso. Crüe was the first major concert I saw as a kid, and I lost my voice during "Shout at the Devil." To be completely honest, I almost lost it this time, too.

Set songs included "Same Ol' Situation (SOS)," "Sex," "Don't Go Away Mad (Just Go Away)," "Home Sweet Home," "Live Wire," "Primal Scream," "Dr. Feelgood," "Girls, Girls, Girls" and "Kickstart My Heart."

Youth and adults alike wore Dr. Feelgood-era shirts, 1980s Kiss tour tee replicas, animal prints and lots and lots of black. There were dreadlocks, mohawks, shaved heads (for those who don't have the same hairline they might have had 25 years ago), spray-wall bangs ... and bald spots.

To understand the mass appeal of Kiss and Mötley Crüe is to suspend reality, to accept their sexist airs as a sort of charm, to know that these are good ole boys if not also massively self-centered ones, too, and that, in essence, above all else, these are both anthem bands for the working class.

The greeting's so well-known that the arena chant along with the band, "Alright, Tulsa! You wanted the best and you've got the best, the hottest band in the world, Kiss!"

Just like their greeting, the band's show hasn't changed a whole lot over the decades. Scratch that, it's gotten even more bombastic and ridiculous and overblown.

As is expected.

Kiss is a time capsule, brimming with what makes American rock 'n' roll so influential. It's huge. It's an arena band.

A two-story-tall screen projected the band in high definition, rock idols in platform boots.

The set included a roster of classics: "Detroit Rock City," "Shout It Out Loud," "I Love It Loud," "Love Gun," "War Machine," "Strutter," "Rock and Roll All Nite" and more. Mixed in was the new tune "Hell or Hallelujah," from their upcoming studio album "Monster."

One other thing is fairly new, too. Simmons' wedding band.

Guitarist Tommy Thayer and drummer Eric Singer jammed for an electrifying solo before Thayer shot of his "Love Gun" electric guitar, sparks shooting from the headstock. Simmons upped the ante by flying by wire to a ledge far above the audience after a thundering bass solo before "God of Thunder." Then Paul Stanley grabbed a swing and raced over the audience to another mid-arena stage and shimmied and sang.

"Lick it Up" held the crowd at its apex, screaming and chanting in time. Teenage boys even hopped up and down with excitement as the superscreen projected each band member to super size before switching gears to classic heavy-hitter "Back Diamond," with Singer at lead vocals.

The Treatment opened, a U.K. rocker that borrows heavily from the night's opening acts, and clad in skinny denim, L.A. swagger and darkened haystack haircuts. It was straight-ahead, double-bass drum pedal, engine-revving, guitar-squealing riff rock.

If they weren't so solid musically, they'd be a blatant cliche.



Reader Comments 12 Total

hootie (6 months ago)
Wow! No pics of the rest of Crue? Also the writer must hae left before the big "Rock and Roll" all night finale!
:) (6 months ago)
KISS put on an amazing show. They are still masters at what they do and they really know how to give a crowd their money's worth.

The Crue had a good stage show. The band gave a great performance; but they could only do so much with what they had. Neil was a huge let-down. He couldn't stay on time or tune, he never sang more than the first and last word of any verse, and those two words were always mushed together. "eeeooouuaahahfeelgood, eeeaaahhalright"! Out of breath was not the first thing that came to my mind.
                    
Bixby Jeff (6 months ago)
I also thought Vince Neil's voice sounded digitally altered.
Hi Hootie, I was there for the encore. The song's mentioned in the story. Also, the photographer was very limited for the Crue shots. It was dark and he could only shoot from the back of the floor and the first two songs. It was a great show though, especially the encore! :) -- Jennifer
                    
hootie (6 months ago)
My apologies!
SLOTH is the real Goonie (6 months ago)
It was still a really great show. My ears are still ringing.
Ol City Boy (6 months ago)
Did Kiss do "I was made for loving you" ??
                    
CP Mud Engineer (6 months ago)
They didn't do that one.
ACK (6 months ago)
We had a great time and thought the show was amazing. We sat in the back right above the sound boards and had the best seat in the house as Paul Stanley "shimmied and sang" right before our eyes.

This was my first time to see KISS and I am 51 years old. I took my 7 year old grandson to his very first concert and he was in total awe. He got a Motley Crue T-shirt from a very generous couple that sat next to him. They also moved down the row and let him us sit next to them so he could see when two young men decided to stand during the entire 4 hour night and block our view.

And the encore.....fabulous!!!!
TumblingDice (6 months ago)
I thought it was all about sex, now I know.
HOGRIDER (6 months ago)
Glad I stayed home to watch Gunsmoke re-runs.
Ken1132 (6 months ago)
A buddy of mine went to the concert and he said his ears were still ringing the next morning.
12 comments displayed


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Barrelhouse Beat

Barrelhouse: A colloquialism describing the low saloons at the turn of the century (19th) that served whiskey straight out of the barrel. It's also a reference to the type of music played in those venues. Ex: Barrelhouse music.

Beat: The time or timing. Ex: The band played with a solid beat. Also used as a term describing a reporters specific area of expertise. Ex: The music beat.

About me: I'm Okie born and raised, and have lived all over the state: Oklahoma City, Enid, Moore, Norman, Edmond and Tulsa. I am a music geek, writer, graphic designer and amateur photographer and videographer who's followed the Tulsa and regional music scene since I moved to Green Country more than 10 years ago. I've been enmeshed in Tulsa's varied and vibrant musical night life, what some of us affectionately call a modernized throwback to the Barrelhouse scene, since that time. I fell in love with it. I fell hard.


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Jennifer Chancellor
BarrelhouseBeat
@TrenaRentfrow I was listening to a band called Dog and Panther. :)
1 day ago
RT @AboutAquarius: An #Aquarius can sometimes be consumed by their own thoughts, especially at night. They can't find the "off" switch.
1 day ago
RT @BOKCenter Here's a great review of the Who show from last night courtesy of @BarrelhouseBeat and @tulsaworld. http://t.co/rjApkNLn
1 day ago
Gaga refunds began yesterday. Learn more here: http://t.co/igzI5c02
1 day ago
IN CASE YOU MISSED IT: The Who brings nostalgia, ingenuity to BOK Center http://t.co/mnSQjExq (with slide show)
1 day ago





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