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Death by poetic license
Published: 7/15/2009 6:28 PM
Last Modified: 7/15/2009 6:28 PM

As I noted in my recent review of "Public Enemies," director Michael Mann has made a film that looks wonderfully authentic to those 1930's days of bank-robbing, and it appears to be very well-researched — except with regard to the notorious Oklahoma outlaw Charles "Pretty Boy" Floyd.
I've been surprised that few other writers have picked up on the facts surrounding Floyd's death being fictionalized for the film. I couldn't help but remember the criticism leveled at filmmaker Brian De Palma of "The Untouchables" for the equally fictional killing off of gangster Frank Nitti — who also appears as a character in "Public Enemies," alive and well.
In "Public Enemies," Floyd is shot to death in the first 10 minutes by famed G-man Melvin Purvis. This allows for John Dillinger (as portrayed by Johnny Depp), behind bars the first time he meets Purvis in person, to refer to his rival as "the man who gunned down `Pretty Boy' Floyd."
Fact the movie got right: Purvis gunned down Floyd. Fact the movie got wrong: Floyd was killed three months after Dillinger was blasted into his own dirt nap.
The filmmaker's decision to knock off Pretty Boy before his time is ridiculous, because for the purposes of Mann's film, it appears to have been done solely to get that "the man who gunned down `Pretty Boy' Floyd" line into the picture to add some dramatic heft to the rivals' face-to-face meeting.
As for Frank Nitti, this henchman of Al Capone was memorably portrayed by Billy Drago in the "The Untouchables" and even more memorably thrown off a roof to his death by Kevin Costner's Eliot Ness, during Capone's 1931 trial for tax evasion. The problem: It never happened.
Seemingly every critic across the land caught this error when "The Untouchables" opened. Probably because Nitti actually lived another 12 years, dying in 1943.
Whether by years or months in the case of Floyd and Nitti, their cause of death — poetic license — is equally improper movie magic.



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I See Movies for Free

“I was born a poor, black child” … not me, actually, but Steve Martin’s character in the “The Jerk.” That absurd opening line is just one of the absurd number of film facts, quotes and minutiae contained in movie critic Michael Smith’s brain, at his disposal to toss out on a moment’s notice. It’s a key requirement as Tulsa World film critic to know these things. Michael learned a few other life facts along the way (seven years as a Crystal’s Pizza & Spaghetti manager) before attempting journalism and joining the Tulsa World in 1996, where he’s covered everything from a school shooting in Fort Gibson to a tornado in Stroud to witnessing an execution. A little community theater coverage was sprinkled in there, too. Movies engender many of his happiest memories, from standing in line for “Star Wars” and “Grease” at the Southroads Cinema to the James Bond and Pink Panther movies that always premiered at the enormous Continental Theater.

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michaelsmithTW
michaelsmithTW
"Avengers" assemble in new trailer http://bit.ly/ykKVoY
12 months ago
First look: "The Avengers" poster http://bit.ly/A1PXxV
12 months ago
@jwfyler That's what we call a prediction, my man....just sayin'…
12 months ago
So what will win best picture next year? Give it some thought for a while, because that's a wrap for tonight!
12 months ago
@anna1781 Hilarious, I thought that same thing the first time I saw him at Golden Globes!
12 months ago
Big winner tonight: producer Harvey Weinstein. "The Artist" wins 5 Oscars, "The Iron Lady" goes 2-for-2, even wins best documentary.
12 months ago





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