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How the "Dracula" review was supposed to end....
Published: 10/31/2009 5:02 PM
Last Modified: 10/31/2009 5:02 PM

A couple of paragraphs were deleted from the printed review of "Dracula," which appeared in Saturday's edition -- obviously because I had supplied too many words for the space reserved and something had to go.

So if the ending of the review seemed a bit, well, odd, here's how it was supposed to end.

After what is now the penultimate paragraph, which ends with the phrase "...afraid of the dark," was to come this:

Music director Nathan Fifield led the Tulsa Symphony in a darkly hued performance of Liszt’s music that was highlighted some powerful, percussive piano playing by Katherine Ciscon, principal pianist with the Houston Ballet, the company for whom Stevenson created "Dracula."

The only way a vampire can enter a dwelling is to be invited in — and from that moment on, said vampire can enter at will.

Since the close-to-capacity audience happily welcomed Tulsa Ballet’s production of “Dracula” into the Tulsa PAC’s Chapman Music Hall Thursday night, maybe this will mean this ballet will be a regular visitor.


Not much of a change, I realize, but one likes to be complete.



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ARTS

James D. Watts Jr. has lived in Oklahoma for most his life, even though he still has people saying to him, "Don't sound like you're from around these parts." A University of Oklahoma Phi Beta Kappa graduate, Watts has received the Governor Arts Award, Harwelden Award and the National Conference of Christians and Jews Beth Macklin Award for his writing. Before coming to the Tulsa World, Watts worked for the Tulsa Tribune.

Contact him at (918) 581-8478.


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