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Movie review: "50/50"
Published:
9/30/2011 3:53 PM
Last Modified:
9/30/2011 3:53 PM
Why wait for Saturday's paper when you can read my 3.5 star review right now of "50/50," the superb, funny cancer comedy (that's right) starring Joseph Gordon-Levitt, Seth Rogen and the cute-as-a-button Anna Kendrick.
Check out the trailer as well, below the review.
In playing a 27-year-old man with cancer who has only a “50/50” shot at survival, Joseph Gordon-Levitt delivers the kind of performance that is so authentic and funny and touching — but in a non-flashy way — that it probably won’t be remembered when people are handing out acting awards for this year.
But that performance, and the movie “50/50,” will be remembered for a long time by anyone who has had cancer, or anyone who has loved someone who had cancer, which is far too many people. This is a special movie, fatalistic and yet crowd-pleasing, that succeeds because it respects its audience as much as the gravity of the situation.
People will recognize the feelings of randomness and helplessness that come with the disease. “50/50” is superb at showing the ripple effect of those feelings, spreading from the patient to the best buddy (Seth Rogen) who doesn’t know how to handle such drama, to the frustrated mother (Anjelica Huston) who can’t baby her son and make it all feel better.
The movie will resonate for those people who understand the human comedy of the whole thing, like the balance of fear with the cathartic humor that comes out of those emotions, or the way that we embrace those we love and push away silly things that used to seem so important.
Anyone who’s been there will recognize the way that Adam (Gordon-Levitt, so good in “Inception,” and even better in “500 Days of Summer”), an average fellow in Seattle, reacts with a sense of surprise that looks a lot like a guy who’s calm — but who is more likely numb.
The just-right humor of Will Reiser’s feature film script debut always leavens the heavier realities (the nausea of chemotherapy, but hey, medicinal marijuana!), but those realities are never cheapened. It’s fair to compare “50/50” to “Terms of Endearment” in its treatment of such subject matter.
We can’t help but feel the same way as Adam when his therapist (Anna Kendrick, the young spitfire from “Up in the Air”) enters, looking like a teenager.
“What are you, like Doogie Howser” Adam asks of her. “Who? Is that someone who works here?” replies the 24-year-old who’s working on her doctorate and uncomfortably trying to do the best she can to comfort a man her own age.
Their in-session moments are excellent, like her efforts to improve her so-called bedside manner that are both awkward and unpracticed. The chemistry between the talented duo of Kendrick and Gordon-Levitt is only bettered by the on-screen relationship between Rogen and Gordon-Levitt.
Rogen’s raunchy, over-the-top character — which he has played so many times that we now know is Rogen himself (think “Knocked Up”) — works perfectly here as the pal who isn’t going to mope around, but who rather employs his sick friend’s malady and baldness as a wing-man prop to pick up women.
A great scene involves the two men literally extinguishing the memory of Adam’s girlfriend (Bryce Dallas Howard of “The Help”) is symbolic in more ways than one: It’s a great kiss-off to the plastic woman who fell out of love with a sick man, and the act also says goodbye to the one part of “50/50” that felt both cliched and didn’t work.
Anyone who has in some way been touched by cancer is going to laugh and very likely shed a tear watching this smart, witty picture. But you don’t have to have that experience for “50/50” to make you care about what happens to Adam, and to others.
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I See Movies for Free
“I was born a poor, black child” … not me, actually, but Steve Martin’s character in the “The Jerk.” That absurd opening line is just one of the absurd number of film facts, quotes and minutiae contained in
movie critic Michael Smith’s
brain, at his disposal to toss out on a moment’s notice. It’s a key requirement as Tulsa World film critic to know these things. Michael learned a few other life facts along the way (seven years as a Crystal’s Pizza & Spaghetti manager) before attempting journalism and joining the Tulsa World in 1996, where he’s covered everything from a school shooting in Fort Gibson to a tornado in Stroud to witnessing an execution. A little community theater coverage was sprinkled in there, too. Movies engender many of his happiest memories, from standing in line for “Star Wars” and “Grease” at the Southroads Cinema to the James Bond and Pink Panther movies that always premiered at the enormous Continental Theater.
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Past Articles By Michael Smith
2/16/2013
Broken Arrow movie theater moves to discount showings
2/15/2013
Review: 'Amour'
2/15/2013
Review: 'A Good Day to Die Hard'
2/15/2013
Review: 'Beautiful Creatures'
2/14/2013
Review: 'Quartet'
2/14/2013
Shirley MacLaine to speak at Osage Casino
2/14/2013
Weekly rewind: February 14
2/14/2013
REVIEW: 'Beautiful Creatures'
2/12/2013
Belgian best picture hopeful 'Amour' opens in Tulsa on Friday
2/10/2013
'Die Hard' marathon at AMC Southroads on Wednesday ends with new film
2/9/2013
Review: 'Identity Thief' a stupid movie from stupid idea
2/8/2013
Oscar audit: Critics choices for best picture hold up over time
Michael Smith's Blog Archive:
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12/2012
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9/2012
8/2012
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michaelsmithTW
michaelsmithTW
"Avengers" assemble in new trailer
http://bit.ly/ykKVoY
12 months ago
reply
First look: "The Avengers" poster
http://bit.ly/A1PXxV
12 months ago
reply
@
jwfyler
That's what we call a prediction, my man....just sayin'…
12 months ago
reply
So what will win best picture next year? Give it some thought for a while, because that's a wrap for tonight!
12 months ago
reply
@
anna1781
Hilarious, I thought that same thing the first time I saw him at Golden Globes!
12 months ago
reply
Big winner tonight: producer Harvey Weinstein. "The Artist" wins 5 Oscars, "The Iron Lady" goes 2-for-2, even wins best documentary.
12 months ago
reply
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