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The real question about the TATE awards
Published:
6/21/2009 5:17 PM
Last Modified:
6/21/2009 5:17 PM
The inaugural presentation of the Tulsa Awards for Theatrical Excellence is about three hours away as I write this. A total of $20,000 in prize money, courtesy the George Kaiser Family Foundation, will be presented to three local community theater companies, and one group that presents theater by and for young people.
And there is a question that needs to be answered. It isn't "Who's going to win?" It isn't "Who were the judges?" (a question that I've been asked a few dozen times over the past few months – and again, no, I'm not one of the judges).
It's "What are you going to do now?"
In other words, to those four companies who will receive the first TATE awards, what are you going to do with the money?
When the awards were first conceived, one of the proposals was that the grand prize winner use at least half the $10,000 First Prize – which is for most of local theater companies more money than they have to work with in a year – to fund the creation of a new play that would premiere as a major production at the next year's SummerStage festival at the PAC.
Consider: In 1980, Theatre Tulsa premiered an original play by Tulsa writer and actor James Vance, titled "Stations." It was a topical piece about the dangerous intersection of religion and entertainment and politics.
It ended up winning first prize at the Festival of American Community Theaters, and was chosen to represent the United States in the World Theater Festival in Monte Carlo, where it was praised as the best entry in that event.
In 1984, the American Indian Theater Company gained national attention when it staged the drama "Black Elk Speaks," and brought to town noted actors Will Sampson and David Carradine for the leading roles.
Two community theater groups in Tulsa accomplished these things. These were newsworthy events, out of the ordinary to be sure, but they made the community – if only for a short time – sit up and take notice of what was happening in local theater.
Of course, it's easy and tempting to say "That was the past, things are different – and more expensive and more unfair and just plain harder to do – now."
True. All the more reason to try something new, something ambitious, something that speaks to the here and now in a way that only live theater can. And the TATE awards can be the fuel to power that dream.
So. Places – curtain going up. Let's see what happens.
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drudge2
(4 years ago)
Your post is only half complete and I wonder why you decided to not include the second half. It is true that "Stations" and "Black Elk Speaks" brought great recognition and acclaim to their respective theater companies, but (and here's the part you left out) they also left those two companies nearly bankrupt in the end. To this day neither company has fully recovered from the experience and it's been nearly three decades. (Ask yourself: why has neither attempted anything like that again? Ask the old guard about the trials that followed: you'll get an earful.)
Their ordeals have been cautionary tales to every local theater company since. Both "Stations" and "Black Elk" spent far more than the "at least half the $10,000 First Prize" of the TATE and that was back in the '80s. To achieve the same recognition today would require more cash than that, and to achieve it without going belly-up in the process would require much, much more.
Face it: The TATE is a token amount of money, an almost empty gesture. Every theater group in town is awash in debt and the temptation, no doubt, will be there to use the money to settle old debts rather than start a new venture that will, in the end, add to the existing monetary problem. Will any company really be foolish enough to try a new venture? I don't know, but perhaps they should listen to what I've heard over the years. Every person I have spoken to who was involved in either show says the same thing: "Great show, but it was a big mistake."
Unless a person (or persons) are willing to seriously fund local theater, this drop-in-the-bucket will result in a slightly better set in a future production, or an extra musician in the "orchestra", or maybe one ad in the Tulsa World, but most likely it will just be used to relieve, just a bit, the mounting debt that faces all the companies every day.
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ARTS
James D. Watts Jr. has lived in Oklahoma for most his life, even though he still has people saying to him, "Don't sound like you're from around these parts." A University of Oklahoma Phi Beta Kappa graduate, Watts has received the Governor Arts Award, Harwelden Award and the National Conference of Christians and Jews Beth Macklin Award for his writing. Before coming to the Tulsa World, Watts worked for the Tulsa Tribune.
Contact him at (918) 581-8478.
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