Musicians, fans celebrate Woody Guthrie's legacy at centennial concert in Tulsa
BY JENNIFER CHANCELLOR World Scene Writer
Sunday, March 11, 2012
3/11/12 at 11:34 AM
Correction: A Sunday Tulsa World story misspelled the names of Tulsa author Michael Wallis and musician Tim O'Brien. This story has been corrected.
Learn more about Woody
The "This Land is Your Land: A Woody Guthrie Centennial Concert" heralded a sold-out crowd on Saturday night at a historic music venue nearly as old as Guthrie himself, The Brady Theater.
Oklahoma champion and author Michael Wallis opened the night with the words of Okemah native and late folk icon Woody Guthrie: "I hate a song that makes you feel as though you're not any good. ... The songs that I sing are made up for the most part by all sorts of folks just about like you."
Indeed, Guthrie's son Arlo then took the stage to a standing ovation and rowdy cheers as he lit into a version of his father's "Talking Dust Bowl Blues."
Fans young and old, in dinner gowns and in jeans, button-down business shirts to flannel squeezed into seats for the once-in-a-lifetime lineup of iconic American musicians, all paying tribute to the man who inspired them.
The night featured an energetic and eclectic mix of Woody Guthrie's son Arlo Guthrie, and John Mellencamp, Rosanne Cash, The Flaming Lips, Jackson Browne, Hanson, Old Crow Medicine Show, Tim O'Brien, Jimmy LaFave and more.
"What a pleasure to be celebrating the birthday of Woody Guthrie right here in Tulsa tonight," added Old Crow Medicine Show as the group sang "one for the ladies" - Guthrie's "Union Maid."
"You can't scare me, I'm sticking to the union," the band chanted. Fans clapped in time and hollered with happy support.
Tim O'Brien joined the act for a bouncing version of "The Sun Jumped Up," with harmonica and banjo and mandolin singing along behind him.
"Thank you, Woody fans," was a popular refrain from the stage throughout the evening. "It's a great honor," was another.
Woody Guthrie's little sister, Mary Jo Guthrie Edgmon, visited in a soft pink dress, huge smile and accepted a historical marker plaque to present to her and brother Woody's hometown at the Woody Guthrie Folk Festival in Okemah.
"Gosh, this is such an honor and I'm just breathless," she said. "I bet directly or indirectly, I know every single one of y'all in here," she said, then mentioned her extensive school programs about Woody and the annual Woody Guthrie Folk Festival in their hometown.
Arlo Guthrie returned to the stage, this time with the Tulsa band of the brothers Hanson. "Going Down The Road Feeling Bad" featured Arlo on guitar and Harmonica, Isaac Hanson strumming beside him, and Zac and Taylor made it a quartet, harmonizing perfectly. Fans clapped in time. The brothers grinned from ear to ear as they sang.
Jackson Browne played the tune "You Know the Night," which he wrote from a poem written by Woody Guthrie about his mother, Marjorie ... the third standing ovation.
Oklahoma City psychedelic rocker the Flaming Lips followed with a small symphony of iPads and other unconventional electronic doo-dads, belting out an electronic-backed version of "Vigilante Man." "The thing about this song is that Woody must have experienced it, then 20 minutes later, the song was written. It was just him, talking about what happened."
They interpreted the song in a way Guthrie that was impossible to imagine in his day, adding depth and emotion and even whimsy. Unexpected guests included composer David Amram and Native American poet Joy Harjo.
Frontman Wayne Coyne grabbed an acoustic guitar as Browne returned to join the band for "Along in the Sun and the Rain."
It was an odd pairing, perhaps, but one with a huge crowd response, one of the most visceral of the night. Some in the crowd laughed at the pairing when it was announced. They quickly sat rapt at the larger-than-life story that pulsed over the theater.
They then segued into the official rock song of Oklahoma, their "Do You Realize??" - an anthem to love and happiness.
Oklahoma's own Jimmy LaFave dedicated "Woody's Road," a tune by late Red Dirt music icon Bob Childers, to "Oklahoma's most important native son." His Spartan set included just him and an accordion player. The lyrics were stark yet filigreed with hope. The capacity crowed swayed in their sets and tapped their feet.
The night got bigger as Rosanne Cash joined him. She said little as she sauntered to her microphone. A solemn "Deportees" told the tale of rotting fields, and the plight of migrant workers Juan and Roselita - and so many nameless others - who died while being "chased like rustlers, like outlaws, like thieves."
The stories told Saturday night were working man odes of human beings in human conditions, performed with with humility and respect. Fans were at times rapt, at others filled to bursting with hoots and cheers, tears and laughter.
Musician John Leventhal joined Cash for another tale, this one of "Pretty Boy Floyd." Cash's sweet yet potent twang filled the venue like honeysuckle at night as she sang of the villain's last days in Oklahoma.
She followed with another song, one her father, Johnny Cash, told her was one of 100 songs she had to know, "Motherless Children." She earned the second standing ovation of the night.
Author Wallis stepped in again to remind us all, "The word is the music and the people are the song."
The Del McCoury band followed with their versions of "Philadelphia Lawyer" and the effervescent, fiddle-filled "Pastures of Plenty" and the sing-along with Tim O'Brien, "So Long, it's Been Good to Know Yuh."
Original Print Headline: Just plain folks
Jennifer Chancellor 918-581-8346
Arlo Guthrie peforms with Taylor Hanson during the Woody Guthrie Centennial Concert at the Brady Theater on Saturday. CHRISTOPHER SMITH / Tulsa World